Sunday, April 28, 2013
Derrida reading
Is it still possible to preserve international hospitality in contrast to the reality of strong nation states? What kind of police force or what kind of borders are required in order to foster cosmopolitanism? Which level of hospitality should be applied? These are the questions that we should ask. Derrida's proposal is about the establishment of "cities of refuge", he argues whether it is possible or not. He mentions about asylum seekers, stateless persons and refugees who seek protection or help from other governments.Although humanitarian issues at stake, governments are not willing to be hospitable to those who seek protection. I think it has been created kind of dilemma since the refugee issue has taken part in the agenda as a hot topic. Governments' objectives are their economic and political gain rather than opening their borders to people who seek help. The level of hospitality is the issue. Derrida indicates that laws of hospitality should be improved and he argues that without any other law, the law of an unconditional hospitality can be perverted.
Proposal: Film Analysis: Screening immigrant Turkish women in movies
Patriarchal rule and pressure is in
everyday life of Turkish immigrant women. It makes integration process complex and difficult for females and increase
the feeling of being in exile within
Turkish immigrant society. I will make film analysis in order to back my
thesis. Two movies “40 Squaremeters of Germany” and “Head-On” represent how does the pressure change women psychology and behavior. I want to show the reader that how lack of
integration and the strictness of patriarchal rule can effect psychology of
immigrant women.
My main objective while writing
this paper is to analyze challenges of integration process within Turkish immigrant
women and how these problems have been screened in the movies. Especially Turkish women have faced much more
linguistic, cultural,educational boundaries and pressure due to their parents or husbands stereotypes against
German community.
The introduction will consist of
the background information about the immigration of Turks to Germany and how
they import their own culture to the host country and also male pressure on
female figures within the immigrant community . In the body paragraphs I will analyze the two
movie by focusing on the issue of sense of being exile and histeric behavior of
women who are under the pressure of
dominant Turkish male characters. As theoretical frame work , I will mainly refer
to Hamid Naficy “an Accented Cinema”, Ali Nihat Eken “Representations
of Turkish Immigrants in Turkish-German Cinema”, Sarah Schaefer- Greg
Austin-Kate Parker “Turks in Europe”, Janet Walker “Couching Resistance: Women,
Film, and Psychoanalytic Psychiatry”.
Sunday, April 21, 2013
LA HAINE
Police brutality, social exclusion,racism and unrest of banlieu youth are the salient objective of the movie. In Paris immigrants have been pushed to the suburbs and left uneducated through government policies. In the movie, we watched the other side of the story which analyzes the unrests from suburban youths' side. The protagonists of the movie are three young immigrant (Vinz, Hubert and Said) and their one day has been screened. Actually, we observe that their violent actions aren't related with their origin. They are prone to violence because they are excluded from society. Public stereotype towards immigrants make them wild so they are far from being integrated into the society. In one scene police forces humiliate the two immigrant without a reason (just because they are immigrant) and in this sense the notion of hospitality turns into hostility. Derida indicates that being hospitable is also means that keeping the immigrant under control. (Rosello, 2001) The idea is in order to be hospitable, firstly the one must have power to host. In France case the level of power and control, that the government and police exert, is problematic and too much. In this sense, the power to host turns to be power to force or suppress. In one scene police says Vinz that police is here to protect them and Vinz responds him that who would protect immigrants from police.
“So far so good… so far so good… so far so good.” How you fall doesn’t matter. It’s how you crash.’
I think the most impressive part of the movie is the final scene. Throughout the movie Vinz keeps saying that he will kill a police officer with a gun he's found, if his friend dies and Hubert tries to stop him by saying "hatred breeds hatred". (Kassovitz, 1995) At the end of the movie Vinz gives up his claim thanks to Hubert and gives the gun to him. As Said and Vinz leaves Hubert, police car pulls up and officers begin to beat Vinz. Hubert sees them and closes there with the gun. Police officer kills Vinz. So here we observe the dilemma of Hubert about using or not using the gun. Although Hubert is a good natured man, the situation he faced force him to fire his gun. The message here is the immigrants who exert fear around the suburbs are not bad in nature but other people's actions shape their behavior. At the end Hubert decides how he wants to land. The term “So far so good… so far so good… so far so good.” How you fall doesn’t matter. It’s how you crash.’ signifies their lost life in suburbs.
Reference :
Rosello, Mireille. Introduction to Postcolonial Hospitality: The immigrant as Guest. Stanford, Standford UP, 2001.
Sunday, April 14, 2013
Media Representation: Video on the creation of violence by immigrants
Link: http://youtu.be/ysjC1FlZ5qU
Insecurity and urban violence has been most debated issues of last decade within French society. The video was published by Hungarian TV channel. The journalists visited the suburbs and some officials to show how violence is created by the Muslim immigrants. It is mentioned that people are afraid of going there even
police sometimes refrain from intervening. Drug dealing has been the popular job within the immigrants since they have no education and job. It is possible that the video reflects the reality however, since the Islamophobia has been widely spread fear around Europe, these type of media coverages trigger social divide between native population and immigrants. French society do not accept immigrants therefore immigrants feel alienated from society and form their own culture or lobby and they do not accept anybody inside so it is like vicious cycle.
some comments on the video:
Reference:
Emery , M. (n.d.). Europe, immigration and the sarkozian concept of fraternite. French cultural studies, Retrieved from http://frc.sagepub.com/cgi/content/abstract/21/2/115
Moran, M. (n.d.). Challenging the republic: ınterpreting the 2005 urban violence ın french suburbs. (2008).
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